![]() ![]() Remember what I said about beginning with the end in mind? What is the ultimate expression of a wedding day story? A wedding album! And a typical wedding album features 60-120 images. Yes, I understand that every single time you pressed the shutter, a masterpiece was created and it’s impossible to toss it, but this one single mantra will change your life. But first, let me share a simple philosophy that took me years to adopt. There’s a method to this madness and while individual choices may vary, this is the secret sauce of workflow. Bam! A huge chunk of images from your wedding are instantly and perfectly finished. Then select all your formal shots and sync those settings across the entire set. Later, when you’re editing in Lightroom, all you do is select the first image and make the adjustments to make it perfect. At the very least take your white balance setting off Auto and choose a preset or select a Kelvin color temperature setting that gets you close. Use the custom white balance setting on your camera and if you don’t how to do that, learn. Put your camera and lights in manual mode and lock it down. Using whatever method works best for you, nail your exposure and your lighting. You pick a location, set your camera on a tripod, place lights and jump into the most dreaded part of the wedding day–for guests and photographers. Taking a few extra steps when you shoot will save you countless hours of post production. But this is going to kill you on the backend when you have to manually adjust each RAW file. It’s easy to justify putting your camera on Aperture priority, your flash on E-TTL and call it a day. From a technical standpoint, manual exposure and custom white balance are your friends.Ī brutal truth about photographing weddings is the time constraints are a pressure cooker. Think like a cinematic storyteller with scene setting shots, details and authentic moments that tell the story. The moment you pick up your camera, shoot with story in mind. ![]() We live in amazing times and today’s software means it’s possible to create a far more streamlined workflow than it was just five years ago. That dropped to one page in 2008 and is even smaller now. I started teaching workflow locally in 2005 and my notes spilled over three pages. Survival meant developing an efficient post-production methodology. Between 2008-2009, I photographed 42 weddings. But everyone can learn something by evaluating different workflows.Īs a professional wedding photographer with 20 years of weddings under my belt, I have a few tips to share. Everyone’s workflow will cross at different points and ultimately, they’re all relevant and valid. ![]() You ask 10 photographers about the best workflow and you’ll get 10 different answers. And to enjoy a better quality of life, better sales and spend more time behind the camera being creative. ![]() Workflow begins the moment you pick up your camera and ends the moment you deliver the wedding album. For every hour you spend shooting at a wedding, there can easily be up to five hours of post production. It will destroy any life you think you have…literally. If you’re not on top of your workflow, you’ll be waking up in the middle of wedding season with panic attacks. Who else would even consider the backend post production that is a wedding? That sheer volume of work alone is enough to turn many away from weddings entirely and others to sit paralyzed with anxiety in the middle of a busy wedding season. ![]()
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